This book discusses Alasdair MacIntyre's engagement with Marxism from the early 1950s to the present. It begins with his early writings on Marxism and Christianity, moving through his period in the New Left and the Socialist Labour League and International Socialism in the late 1950s and 1960s. It then discusses MacIntyre's break with Marxism by developing the brief but telling five-point critique he gives of Marxism in his 1981 volume After Virtue. Marxism, Ethics and Politics highlights MacIntyre's continuing admiration for much in Marx's thought, noting that his contemporary project is developed in response to what he now sees as the inadequacies of Marxism, particularly Marxist politics. It concludes by examining the place of Marxism in the contemporary MacIntyrean debate and by pointing out the contested nature of the claims about Marxism that MacIntyre makes.

This book discusses Alasdair MacIntyre's engagement with Marxism from the early 1950s to the present. It begins with his early writings on Marxism and Christianity, moving through his period in the New Left and the Socialist Labour League and International Socialism in the late 1950s and 1960s. It then discusses MacIntyre's break with Marxism by developing the brief but telling five-point critique he gives of Marxism in his 1981 volume After Virtue. Marxism, Ethics and Politics highlights MacIntyre's continuing admiration for much in Marx's thought, noting that his contemporary project is developed in response to what he now sees as the inadequacies of Marxism, particularly Marxist politics. It concludes by examining the place of Marxism in the contemporary MacIntyrean debate and by pointing out the contested nature of the claims about Marxism that MacIntyre makes.

Philip Leacock directs this 1960s British film exploring a childhood friendship threatened by a religious divide. Michael O'Malley (Philip Needs), a young Catholic boy, and Rachel Mathias (Loretta Parry), a young Jewish girl, become friends when the former rescues the latter from schoolyard bullies. With both considered outsiders in Protestant England, a strong basis exists for a bond between the pair. However, in their innocence, Michael and Rachel become friends in spite of, rather than because of, their family backgrounds. Distraught when Rachel's parents declare that they are moving away, the pair set off on an adventure that may well change their lives forever...

1950s mystery thriller adapted by Victor Canning from his novel about a detective who gets caught up in a murder plot. Private detective Edward Mercer (Richard Todd) travels to Venice on a mission to find an Italian veteran who is due to be rewarded for his efforts in the Second World War. When he arrives, however, Mercer realises he is being set up with both the police and a group of partisans hot on his trail.